{"id":155,"date":"2016-05-30T14:27:28","date_gmt":"2016-05-30T12:27:28","guid":{"rendered":"https:\/\/www.aloest.com\/en\/?page_id=155"},"modified":"2016-09-26T15:00:13","modified_gmt":"2016-09-26T13:00:13","slug":"team","status":"publish","type":"page","link":"https:\/\/www.aloest.com\/en\/accueil\/team\/","title":{"rendered":"Team"},"content":{"rendered":"\n\n\n\n\n\n\n\n
\"Equipe
\nFran\u00e7ois-Hugues de VAUMAS<\/span>
\nProducer, director<\/span>
\n…<\/a><\/p>\n
\n

\u201cThey didn\u2019t know it was impossible, so they did it\u201d<\/em>
\nMarc Twain<\/p>\n

After graduating from ESC Tours (Escem), Fran\u00e7ois-Hugues de Vaumas started in television (Expand Interactive: Fort Boyard, Les Minikeums, etc.) before founding Aloest Productions with Xavier de Lauzanne. A passionate expert on audiovisual techniques, he chooses the most suitable resources for the various productions Aloest is in charge of. Always aware of new technologies, he comes up with innovative solutions and likes technical challenges. Alongside his production activities, he directs museum and corporate films for which he develops his directing talent. Strong technical choices, a sharp sense of didacticism, and faultless aestheticism are the guiding lines of his films.<\/p>\n<\/div>\n<\/td>\n

\"Xavier
\nXavier de LAUZANNE<\/span>
\nAuthor, director, producer<\/span>
\n…<\/a><\/p>\n
\n

\u201cIn documentary-making, I like to act as a lampshade\u201d<\/em>
\nDepardon<\/p>\n

Born in 1970 in the Paris region, Xavier de Lauzanne studied to be a hotel manager before setting up hotel management courses for underprivileged young people in Martinique, Vietnam, and Cambodia. He bought his first digital camera in 1999 to film a documentary in Vietnam for a year, Hanoi entre deux 14 juillet, about a bicycle-powered rickshaw\u2019s journey at the turn of the century. When he met the founders of the charity, \u201cPour un sourire d\u2019enfant\u201d in Cambodia, for whom he made an informational film, he gained concrete experience of directing. Now, 15 years later, he has made over 10 documentaries, three of which for the cinema: D\u2019une seule voix (2009), Enfants Valises (2013), Les P\u00e9pites (2016).<\/p>\n<\/div>\n<\/td>\n


\nPierre KOGAN<\/span>
\nAuthor, director, producer<\/span><\/td>\n<\/tr>\n
\"Sans-titre-6\"
\nAnne-Sophie BEUNIER
\n<\/span>Development Manager <\/span>
\n…<\/a><\/p>\n
\n

\u201cWisdom is to have dreams big enough not to lose sight when we pursue them.\u201d<\/em>
\nOscar Wilde<\/p>\n<\/div>\n<\/td>\n


\nCaroline FLORENTIN<\/span>
\nProduction Manager<\/span>
\n…<\/a><\/p>\n
\n

\u201cChoose work you like and you\u2019ll never do a day\u2019s work in your life.\u201d<\/em>
\nConfucius<\/p>\n<\/div>\n<\/td>\n


\nCaroline MALLIART<\/span>
\nProduction Manager<\/span>
\n…<\/a><\/p>\n
\n

\u201cIf Plan A doesn\u2019t work, there are still another 25 letters in the alphabet!\u201d<\/em>
\nUlrich K\u00e9vick Tossa<\/p>\n<\/div>\n<\/td>\n<\/tr>\n


\nJean-Maxime BESSET
\n<\/span>Chief Editor, Post-production Manager<\/span>
\n…<\/a><\/p>\n
\n

\u201cExperience is not what happens to you; it\u2019s what you do with what happens to you.\u201d<\/em>
\nAldous Huxley<\/p>\n<\/div>\n<\/td>\n


\nCharles LE QUERREC
\n<\/span>Communication Manager\u00a0<\/span>
\n…<\/a><\/p>\n
\n

\u201cAim for the moon. If you miss, you may hit a star.\u201d <\/em>
\nW Clement Stone<\/p>\n<\/div>\n<\/td>\n

\"Beno\u00eet
\nBeno\u00eet-Joseph POSTIC<\/span>
\nProduction Manager<\/span>
\n…<\/a><\/p>\n
\n

\u201cIf you think you are too small to be effective, you have never been in bed with a mosquito.\u201d<\/em>
\nBetty Reese<\/p>\n<\/div>\n<\/td>\n<\/tr>\n

\"Sans-titre-4\"J\u00e9r\u00f4me KRUMENACKER<\/span>
\nDirector of photography, chief cameraman<\/span>
\n…<\/a><\/p>\n
\n

\u201cCreating is living twice.\u201d<\/em>
\nAlbert Camus<\/p>\n<\/div>\n<\/td>\n

\"GaelGa\u00ebl JACQUEMIN<\/span>
\nDirector, cameraman, editor<\/span>…<\/a><\/p>\n
\n

\u201cFilmmaking is tough, but working for real is worse!\u201d<\/em>
\nWoody Allen<\/p>\n<\/div>\n<\/td>\n

\"CamilleCamille ROCAILLEUX<\/span>
\nComposer<\/span>
\n…<\/a><\/p>\n
\n

\u201cWhen you have big dreams, you attract other big dreamers.\u201d
\nDr Robert H. Shuller<\/p>\n<\/div>\n<\/td>\n<\/tr>\n

Mathieu AIMARD<\/span>
\nVideo journalist, cameraman<\/span><\/td>\n		\"Pierre
\nPierre BLANCHANDIN<\/span>
\nCameraman<\/span><\/td>\n		\"V\u00e9ronique
\nV\u00e9ronique BRECHOT<\/span>
\nContinuity assistant, assistant director<\/span>
\n…<\/a><\/p>\n
\n

\u201cMake your life a dream and the dream a reality.\u201d<\/em>
\nAntoine de St Exup\u00e9ry<\/p>\n<\/div>\n<\/td>\n<\/tr>\n

\"Michele
\nMichele TARANTOLA<\/span>
\nSound engineer<\/span>
\n…<\/a><\/p>\n
\n

“Films are 50 percent visual and 50 percent sound. Sometimes sound even overplays the visual…”<\/em>
\nDavid Lynch<\/p>\n<\/div>\n<\/td>\n

\"Noel
\nNo\u00ebl MORROW<\/span>
\nSound engineer<\/span>
\n…<\/a><\/p>\n
\n

\u201cThe voyage of discovery is not in seeking new landscapes but in having new eyes.\u201d<\/em>
\nMarcel Proust<\/p>\n<\/div>\n<\/td>\n

\"Sylvain
\nSylvain BERNICOT<\/span>
\nGraphic designer, motion designer<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

Fran\u00e7ois-Hugues de VAUMAS Producer, director … \u201cThey didn\u2019t know it was impossible, so they did it\u201d Marc Twain After graduating from ESC Tours (Escem), Fran\u00e7ois-Hugues … Continue reading “Team”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":126,"menu_order":3,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-155","page","type-page","status-publish","hentry"],"aioseo_notices":[],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.aloest.com\/en\/wp-json\/wp\/v2\/pages\/155","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.aloest.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.aloest.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.aloest.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.aloest.com\/en\/wp-json\/wp\/v2\/comments?post=155"}],"version-history":[{"count":10,"href":"https:\/\/www.aloest.com\/en\/wp-json\/wp\/v2\/pages\/155\/revisions"}],"predecessor-version":[{"id":1078,"href":"https:\/\/www.aloest.com\/en\/wp-json\/wp\/v2\/pages\/155\/revisions\/1078"}],"up":[{"embeddable":true,"href":"https:\/\/www.aloest.com\/en\/wp-json\/wp\/v2\/pages\/126"}],"wp:attachment":[{"href":"https:\/\/www.aloest.com\/en\/wp-json\/wp\/v2\/media?parent=155"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}